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Mughal Architectural Legacies in Ancient Gaur

Shanjida ShimaShanjida Shima
•December 10, 2022•5 min read
Mughal Architectural Legacies in Ancient Gaur

Spanning from 1526 to 1858, the Mughal imperium oversaw a prolific era of monumental construction across the subcontinent. Within the historic precinct of Gaur, these architectural expressions achieved a distinct synthesis, most notably exemplified by the Tahkhana complex and the mosque and mausoleum of Shah Niamat Ullah Wali.

Gaur, the ancient capital of Bengal, is situated in the border region between modern-day India and Bangladesh, spanning Malda and Chapai Nawabganj. Historically, it was positioned forty kilometers downstream of the Ganges and twelve kilometers south of Malda, though the river’s path has shifted significantly over the centuries. The city flourished during the Sena dynasty and was named after the Sena King Lakshmana. Between 1526 and 1858, the region fell under Mughal administration, a period that yielded an extraordinary architectural legacy. Among the most significant Mughal-era monuments in ancient Gaur are the Tahkhana Complex, the Mosque of Shah Niamat Ullah Wali, and his mausoleum.

The Tahkhana Complex

The historic Mughal Tahkhana, or Tahkhana Complex, is located in the Shahbazpur Union of the Shibganj Upazila in Chapai Nawabganj district, approximately 35 kilometers from the district headquarters. The Persian term *Tahkhana* translates to "cold building" or "palace." It was commissioned by Sultan Shah Shuja, the son of the Mughal Emperor Shah Jahan, as a climate-controlled, three-story residence for his spiritual mentor, Murshid Syed Niamat Ullah. Historical consensus suggests the complex was constructed between 1639 and 1658.
The traditional Mughal Tahkhana or Tahkhana Complex in Shahbazpur Union of Shibganj, Chapai Nawabganj. A hallmark of Mughal architecture in ancient Gaur.
Tahkhana Complex

Architectural Design and Composition

This two-story structure, rectangular in plan, stands along the western bank of a large pond. It stretches 31.70 meters by 10.30 meters along the north-south axis. The ground floor consists of four rectangular chambers, originally topped with high, vaulted ceilings (now collapsed). These chambers, which open toward the pond through four-centered arches, served as the building's "cooling rooms." The second floor is organized into three distinct sections:
  • The northern wing, containing a mosque or prayer hall;
  • The central section, housing the main hall and residential quarters;
  • The southern wing, serving as a bathhouse.
The prayer chamber was likely intended for the private devotions of the Subahdar (provincial governor). The central area comprises eight rooms, with the large rectangular space serving as the main hall; its roof has since fallen into ruin. The southernmost part of the Tahkhana contains the bath complex. Composed of two chambers of varying sizes, this area features roofs adorned with domes, semi-domes, four-sloped vaults, and semi-cylindrical vaults. The inclusion of masonry tanks for hot and cold water remains a notable feature. The octagonal turret-like structure adjacent to the bathhouse acted as the primary reservoir for the water supply.

Read More: Sultani-era Architectural Techniques in Ancient Gaur

Ornamentation

The exterior walls are defined by horizontal and vertical paneling. The interiors of the domes, semi-domes, and octagonal rooms are embellished with intricate stucco relief work. The small mosque’s semi-domed mihrab and the niches within the octagonal rooms are elegantly detailed with *muqarnas* (stalactite vaulting).

Mosque of Shah Niamat Ullah Wali

Constructed between 1639 and 1660, this mosque sits a short distance to the northwest of the Tahkhana complex.
The Mosque of Shah Niamat Ullah Wali, a hallmark of Mughal architecture in ancient Gaur.
Mosque of Shah Niamat Ullah Wali

Architectural Design and Composition

This rectangular, three-domed mosque is divided into three bays by two expansive transverse arches. The central bay is slightly larger than the two flanking ones. The domes are supported by circular drums and utilize the Bengali *pendentive* technique; their apexes are crowned with blooming lotus motifs and water-pot finials. The eastern façade features three entrances opening into the courtyard, each defined by a four-centered arch. The central section of the façade projects forward, flanked by two fluted turrets at the corners. The qibla wall contains three mihrabs, with the central one being hexagonal and the side ones rectangular. At the four corners of the mosque stand octagonal turrets that rise above the parapet, capped with solid domes and ornate finials. The roof is enclosed by a low parapet decorated with blind merlon motifs. A low wall surrounds the courtyard (sahn) in front of the prayer hall.

Ornamentation

The primary decorative motifs include niche construction, the division of interior and exterior façades into horizontal and vertical panels, *muqarnas* designs on the mihrabs, and the application of blind merlons and *ghalibkari* (intricate stucco work) on the parapets.

Mausoleum of Shah Niamat Ullah Wali

Located 30 to 35 meters north of the Tahkhana complex, the mausoleum sits atop a low, rectangular platform (24.40 meters × 33.80 meters). It is constructed from a combination of brick and stone.

Architectural Design and Composition

The square mausoleum is surrounded by a spacious veranda. The central chamber is roofed by a dome supported by pendentive and squinch arches. The central tomb chamber features three arched entrances located on the east, west, and south, with frames fashioned from basalt stone. The north wall contains a large, pentagonal mihrab covered by a semi-dome, its concave surface adorned with *muqarnas*. It is in this central chamber that Shah Niamat Ullah Wali lies at rest.
Mausoleum, a hallmark of Mughal architecture in ancient Gaur.
Mausoleum of Shah Niamat Ullah Wali
The veranda features a total of twelve arched openings—three on each side—which likely prompted Sir Alexander Cunningham to designate this structure as the *Baradwari* (twelve-doored) tomb. The roofs of the veranda rooms are flat, though they transition into cylindrical vaults. The four corner rooms are capped with concave, dome-like ceilings. Octagonal turrets at the four corners of the building rise above the roofline, topped by ribbed, umbrella-like chhatris.

Ornamentation

The *muqarnas* technique, which originated and evolved in Iran, found a prominent application in Mughal architecture. The Mosque and Mausoleum of Shah Niamat Ullah Wali serve as prime examples of the sophistication this ornamental method achieved in Bengal during the Mughal era.

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Shanjida Shima

Shanjida Shima

Author & Contributor, MaroonPaper

Contributing insightful research and analytical essays on law, politics, history, and international affairs for MaroonPaper.

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